nina simone was one of the best blues singers of the 20th century. only someone the likes of billie holiday and bessie smith had the power to lay a soul bare like she could, as her stripped-down be my husband shows. naked like a field-holler, this song would later capture the imagination of jeff buckley and antony hegarty. nina simone never, ever disappoints.
re-released for the first time on vinyl since 1965, we hope we do >pastel blues< justice with this 180 grams audiophile vinyl pressing.

on le rire ep jared wilson (7777 - skudge / detroit) leads the way with a pest chicago-house inspired rework, devilishly and deliciously analog without whittling down to a mere old-school homage, a sort of us-acid-dubstep version of addison groove, with a taste of slacker jak-beat for the nirvana generation! a melodic decomposer, scottish dam mantle (warp - ghostly international / glasgow) deceitfully feigns to mellow with what could at first glance seem like an edit. however deep excavations into the intense choir of >voyage vers l harmonie< leads to a surreal confrontation between a slum village like beat and a post-industrial version of melody nelson. thundery atmospheres, slippery slopes… the best way to pay tribute to luc marianni. famous for his duo as well as his label syncom data, nukubus (bunker / rotterdam) is nonetheless an inspired soloist, as this breathtaking remix once again proves. the 11 minutes long krautrock tunnel leaves many envious of its authenticity and sheer technical virtuosity. this swirling reinterpretation of mariannis work manages to leave the original behind and come into its own. its out of respect for the original work that nukubus requested to be credited only as a remixer. if youve bothered to read the few lines above, please remember it is both easier and wiser to form your own opinion with the vinyl in your own two hands. please note that the distribution of these eps will be accompanied by some very limited original editions of luc mariannis vinyls

bop & diagram touch down on auxiliary under their abstract elements guise. super bass heavy minimal science is the name of the game here. delivered on beautiful purple marbled vinyl.

following on the outstanding slz single -slow down & dance-, organic-music returns with the very fresh -aku mencintaimu- ep from doubtingthomas, the ep kicks off with the excelent -the long way round- a fusion of precise electronica and slow jazz,pure beauty !!! in a different strong and distinct mood, -koosh- with it s dinamic driving beats and beautifull hidden melody, the third piece -too much information- takes you in a vibe that resembles diving into the deep where you lose sense of time. together with its prolonged sounds that grow on you subtly, it is very danceable although very abstract and liquid piece. its just too good!! to complete the ep, koljah takes on -the long way round- and deliver a superb dinamic and melodic remix.brilliant piece of athmospheric house music that builds a solid groove that has you locked in from start to finish

grey series, an offshot of the already well established m_rec ltd., aims at celebrating the reclusiveness of techno, its core ideas, its attitudes and its most recent mutations. traditions that while remaining, have allowed todays artists to conceive uncompromising and exciting sounds. its first release sees juho kahilainen explore dark and glacial territories. epilogue is the end of the darkest set, with its sinister piano moving slowly on a set of digital sounds meant to shut off any source of light.we heard it coming enhances stripped down techno with echoes of what seems to be field recordings from an unexplored locations.rotko dims the light down with its flirty, crepuscular details. acid and irresistible, its a trip that carries you on and on.the less we try takes a dramatic turn, where a beat that pays tribute to acid sounds encounter a martial soundwave and its tense and dooming melody. grey series is dedicated to everyone who lives techno today, who recognizes that theres a whole array of possibilities to explore, away from whatever the dancefloor requires.

dont scratch up yout table, use his set of two dishwasher-friendliy silcone record placemats to down the right groove for dinner. slip these reocords out of there sleeve and put a new spin on dining. breakfast, lunch, dinner, you can rock around the clock with this easy-to-clean, dust-resisitant placemats. and when you serve fish, make shure to crank the bass!

holding no limits hot creations are back with their next release, digitaria & funky fats masochist ep – a funky fusion of all things electronic, from deep house and disco to indie-pop and electro.

secret circuit, having been knighted by tastemaker tim sweeney by releasing their first 12? on his beats in space imprint, seriously run the voodoo down with this intense jam:jungle drums, spellbinding exotic chants once obstinately nesting in your head once you heard them, cheeping, bleeping and tweeting dub noises messing with your sense of orientation, gyrating guitar chords in a my bloody valentine style and between all this wonderful sonic chaos a slightly latin jazz tinged piano breaks its way. a beautiful maze of a track where you easily can get lost in for the rest of this summer. on the flip portugals tiago accentuates the cosmic rock vibe throwing in an aggressive guitar riff that sounds very much like chicagos im a man and prins thomas chucks the looser jam-like first part of the original over board and bundles the psychedelic elements to a breathlessly, constantly intensifying pressure cooker.

for their sixth release, lets play house has headed down under to scoop up australias fantastic man, a second identity of dj/producer mic newman, with which the melbourne-based artist explores—and exposes—another side of his musical and stylistic skills. and the four original songs on the its essential ep most definitely mark a bit of a departure from newmans trademark sounds: he has exchanged the thumping, peak-hour, hands-in-the-air chaos and messiness of hits like 2009s >sizzled sally< for a more refined and subtle breed of deep house.

fresh dot colour series, three hypnotic tech house slammer. flumo gets back in its old ways, no matter how many blissful digitalizations remain behind. >pink< dot olour series could be acquired and enjoyed in a vinyl format. three bastions and banners of our label sign this work. a captivating piece unveiling the summertimer, where sonar sets a crucial place..

after their first successful >youre mine< release on 8bit in 2011 mannheim based bunte bummler come up with the next sure shot. timeless deephouse paired with modern electronic basslines and catchy vocals make this release a massive package. perfect tunes for the upcoming open air season!

semtek leaves the comfort of his excellent dont be afraid imprint to supply the third 12 inch on andy blake s in plain sight label, following stellar turns from youngtee and maarten van der vleuten. its not the first time blake has called on the london-based producers services - world unknown devotees will remember the monolithic >tacos for dinner< cut in association with chardonnay that appeared on that labels most recent 12 inch. >couer de lyon< is a chunky house jam of the highest order, shuffling hats, a stripped back bassline and a vocal many of you will recognise from one of mks most legendary remixes combine for a cut that overflows with sultry late night passion. flip over for some soundtracky house in the shape of >beaufort<, an analogue jam in the mould of legowelt that retains a club-ready potency and thus offers a more heads-down alternative to the a-side.

alexander kowalski makes his debut on vince watsons bio music imprint with an awesome ep. berlin resident kowalski has been at the forefront of the german music scene for many years, playing all the big festivals and events across the world for over a decade. with his huge discography, most notibly for his releases on the seminal kanzleramt label, as well as his own imprint damage music, alex has generated a massive following and fans will not be disappointed with this new ep. his recent collaborations with fellow kanzleramt resident diego are nothing short of mindblowing and alex has taken that form forward into this new ep, green eyed.

part one of the two vinyl samplers taken from dj w!lds barnstorming d!rty album released on cabin fever this month. featuring four of the choice licks from the album spread over two 12s. dream of me is great slice of peak-time house whilst >all i want< sets a darker scene, heads down for a full house

another debut on basic fingers, this time we head over to japan and the mysterious kgo production team. the first edit is >six millions steps< by rahni harris, a well known soul drenched disco classic that has been slightly pitched down and infused with more boogie loveliness.
>something special< by donald byrd and the blackbyrds is both a pianists workout and a lovely jazz-disco track full of melodic character. kgos edit owes respect to the original and is a perennial favourite in the basic fingers camp.

part two of the vinyl album sampler comes roaring out of the gates with the stripped down, yet dressed up nastiness that is lotus bomb. did something so dirty ever sound so delicious? coffeeshop chronicles and my money your body are standard hephner sleaze one can literally imagine huge dry-humping his studio gear while churning out these funky numbers

its been a long time coming but house sound is back with its fourth release. nicholas label brings together five emerging talents for a huge 12 inch release. mat chiavaroli and massimo di lina take care of the a side with two low down deep house grooves. the b-side is a funky affair with tracks from jordan peak, bubbin dub and yuri shulgin. absolute killer!

mother rose is the brand new project from oddball wizard luke solomon and howlin wilf, the veejays and sometime polecats guitarist, andy neal.

when the house music phenomenon was beginning, chicago djs like ron hardy and new yorkers such as frankie knuckles and larry levan would edit records for their own purposes, removing the parts they felt to be superfluous, concentrating instead on extending grooves and hooks, often adding their own basic synth lines and toughening up the percussion with what have now become classic synthesizers and drum machines. warehouse classics vol.1 holds 4 killer tracks going from obscure disco to new wave, first popularised at the music box and rarely heard anywhere else. sir leon greg (another incarnation of perseus traxx) jams out then reinforces some edits of forgotten classics with a raw & personal analogue treatment for a devastating full effect on the dance floor, that is a far cry from the proliferation of over-produced squeaky-clean software edits. these are basic, raw ideas thrown down quickly and capturing the energy on 1/4 inch tape before moving on to the next set of sounds. musically, its as delightfully funky and uncomplicated as youd expect, a mesh of disco tracks and heavy, effect laden, machine-funk. essential item!!

first on only via decks.de
supported by:jeff k,lee buridge, lee foss, lee curtiss, dubfire, jozif, aki bergen, slam, luciano. beef records latest 12inch brings a flavour of the underground sound of sydney. jaded & james petrou are two guys behind the citys infamous party kinky disco and have now locked themselves down in the studio to produce two hypnotic underground cuts.tonis pain is a moody, chugging deep house cut using a sample of toni braxton that twists her up in all sorts of new ways, while rollin stone gives similar treatment to the temptations/the undisputed truths classic vocal.the title track comes backed by two of the most in demand artists right now – inxec and no artificial colours.

elevation limited returns with a set of remixes of zoe xenias 2011 elevation hit >i know you can<. zoe stands out among the glut of house music producers due to the fact that she is a songstress as well as an accomplished producer on labels like suara and d julzs bass culture imprint, connaisseur, microzoo and plastic city. the sultry vocals of >i know you can< get the rework treatment from darran nugent and pavel lenchenko (mood music) and werner niedermeier (off, compost, kling klong and safari numerique). zoe also reworks it on her love shack rendition and strips it down into a pure dancefloor groover. coverart by: emiliocaccaman (ita)

strictly limited to 300 copies , milans hottest new production duo flashmob have been garnering some well deserved attention of late. after their first cut brick house landed them on berlin tech house institution get physical, the duo have been laying down sets across some of ibizas hottest nights, with their hard work and dedication to their music paying off. with support growing from the likes of pete tong and maya jane coles, their latest release need in me more than lives up to the surrounding hype...

with the beautiful melodic sensibility of borais synth lines meshing with octobers jacking body beats, they fuse to create 2 sublime slices of warm, deep, but propulsive blends of slo-mo house, techno, & bass. >i didnt mean to< has a detroit techno soul feel with bukem style bass stabs and rainforest jungle ambient noises, whilst >palmarosa< is a sure-fire set starter, taking its time to build with cavernous bass stabs adding drama until the heads down jacking ensues.

the wonderful debut album by cold specks as 12 inch vinyl in gatefold cover, including cd and booklet.

wncl recordings tenth and final release in its 10 inch series is west norwood cassette librarys own coming on strong. the a side original mix was produced by chris simmonds, legend of the uk underground, and recorded at cross section records own house proud studios. the b side remixer should need no introduction. pangaea strips down the original samples to the bare bones and, predictably, delivers the unpredictable.

following his release on peter van hoesens time to express late last year, sp-x drops his third ep for komisch. fans of >signal path experiments< and >field lines never end< will not be disappointed as the brussels - based producer serves up three more slices of uncompromising warehouse techno. lead track <the escape< has all the sp-x hallmarks - rock hard beats, thundering claps and a swinging groove that underpins eerie riffs and clanking metallic drums >stalker< reveals a more musical slant to sp-xs sound. it starts off with unsettling riffs, but soon the rolling drum-led arrangement changes tact and provides the backdrop for a growling chord climax. there is a similar concession on >attack pattern< bruising doubled-up drums and that unmistakably snappy sp-x percussion combine with subtle snare rolls to create a peak time arrangement. but once again an insistent chord sequence gives it the edge over functional techno. make sure to hunt this killer release down

smackdown recordings sets the pace for 2012! just only 1.5 month after the previous heavy hitter by cooh and counterstrike they present the i:gor:this is what i am ep. long and awaited tracks in the making makes this one is a guaranteed heavy hitter. the a-side features the hit:this is what i am which makes any dance floor burn down till the ground. the b-side contains the famous track: coretoon, a beloved track by the hardcore audience. other tracks on this ep are 4 fuck sakes and ofiomerfus. smackdown keeps setting the tone with original releases and the 4th release offers a great combination between hardcore and drum & bass. must buy release for every i:gor and smackdown fan!

with additional supporters ranging from riton, sinden, fake blood, harvard bass and even skrillex, were very happy to be able to present a full ep from john roman on lektroluv!

ander-traxx is a fresh label operating out of glasgow with the intent of releasing righteous underground house, and although mainly a platform for the labels founder alex-ander to showcase his own productions, ander-traxxs remit also includes the presentation of unknown talent for future releases. for this first release, alex steps up to the plate to deliver because of me, followed by 3 remixes from artists born and raised in glasgow. the original kicks things off with its intro of glacial pads and jittery hats, before quickly delving into a seriousely deep groove brimming with melodic layers. although because of me gives a strong nod to the recent developements of producers like omar s and kyle hall, it undoubtedly has the hallmarks of an alex-ander production, his unique arrangements coming to the forefront while still complimenting the crisp percussion that drives the track forward. carlos nilmmns (co founder of the formidable solab production unit) mix is a much more off-kilter and submerged affair. nilmmns plays down the epic quality of the original and adds chugging rhythmics and sweetcured piano work for a lesson in divine repetition. mesumas feedback mix goes in for the dancefloor attack, not surprising for a gentleman whos previous work has seen releases on hardgroove and seventh sign. rolling toms and a booming kick meet aquatic vocal samples and spectral harmonicas, and will still please those partial to deeper sounds. last up to give because of me the rework treatment is meschi (lunar disko, lux, snuff traxx), who mixes his chicago influenced analogue stylings perfectly with the source material. stripped down crescendos build up to a euphoric drop, and meschis elated melodies bring another twist to this excercise in deep funk. because of me is one of those rare e.ps that works just as well in a non-club enviroment as it does on the dancefloor. with this warning shot, alex-ander will surely be capturing the ears of many in 2012 and beyond.

the two brothers known as kyodai strike back, showcasing their phenomenal musical education on local talk. what else to expect from a duo that gained respect from musical heavy weights like masters at work, jimpster, gilles peterson and releases on freerange & nitelife. on >breaking< the beats and bassline are in constant motion, building the track with suble hooks into an epic breakdown which tears the track apart and then rebuilds it even bigger. the 90s mix is a stripped down version of the original, with that organ hook we all love and refuse to stop dancing too, accompanied with strings and percussion that ties the whole track together and brings back memories of a hot and sweaty sunday afternoon at body & soul, in the 90s! local talk is talking to you!

nice price deal !!! after a creative break esance is answering the eternal call for high-standing, frisky, spiced-up tunes with their third release. the two soulboys from florence called minimono, consisting of tenax resident fabio della torre and ennio colaci, are very well known for their crisp and unique productions, combining uptempo- house with teasingly and varied disco and funk elements. hey you is reflecting nothing else than their wide vision of a memorable and eclectic style of music. this piece of joy is impossible to categorize and thats exactly as we like it. rollerball in the other hand, kind of speaks for itself! if you ever want to get your mood rolling, listen to this very powerful outcome of a perky bassline, some haunting percussions and a kooky build up, that really nails it down! to keep the name of esance in honour, the addition of a remix from one of the last living rockstars was inevitable. the interpretation of rollerball from dc10 resident mass prod is a vigorous weapon designed for his established territory, including hot moments, early hours and wild happenings.

bimas is a perfect proof that fresh and highly effective club music doesnt need much more than a free, creative approach and a good sense for igniting grooves. his desolat x debut comes strong with a versatile three-tracker, consisting of the rough-edged primetime tool never say goodbye, the charming groover post the music - both highlights in loco dice sets of the past months - as well as the tribalistic pain of our life. ex-phonica member hector, who caused some serious euphoria on house floors worldwide with his latest productions on saved, mobilee, nrk, tsuba and 2020vision, rounds the ep with a remix, stripping down pain of our life and giving it a moody and hypnotic outfit.

ilario alicante might well be best known for his previous releases on big room labels cocoon and cecille but preconceptions can be misleading. here on sudden drop we plough a deeper furrow, not ones for hands up in the air shenanigans we prefer to get our heads down on the dancefloor for some serious introspection, which is why this 3 tracker from the italian born ilario finds its way onto our label. echotechno is indeed a main room slice of stomping techno but with that oh so important moody vibe that we crave here at sd,rouge dub on the flip delves deeper with an exceedingly trippy soundscape whilst untitled drop rounds things off with a spritely techno groove.

after a superb 2011 for crosstown rebels, they are now proud to present their next album, amirali >in time<. tipped as a one to watch for 2012 (mixmag), iranian/canadian producer amiralis debut album is truly exceptional, a subtle combination of house, techno, funk, electronica and downbeat with indie sensibilities. the album is reminiscent of depeche mode, radiohead, underworld and art department all through a modern electronic paradigm. amirali features on vocals on the album and is already being widely, regarded as one of the most accomplished debut albums of recent years. his recent single beautiful world (featuring remixes from deniz kurtel, daniel bortz & hrdvsion) was met with rapturous appeal gaining an ever-increasing legion of fans. in time is a fantastic body of work, from the hit singles my way, beautiful world and just an illusion to the down tempo painting on a canvas and last words, the album is full of beautiful sonic vignettes. other highlights include the broken beat whisper, the infectious hear me and the mammoth sounds of my life. just an illusion will be released shortly after the album featuring mk, franck roger and appleblim remixes. amirali has succeeding in producing a mesmeric and consummate body of work. the album has already been playlisted on npr and looking like another big album release for crosstown rebels.

sun is shining, people smiling! just in time for the spring/summer stranjjur delivers a nice sweet sampler made for open airs. maya jane coles, nic fanciulli, sasha, droog, m a n i k and my favorite robot already supporting. nycs stranjjur imprint serves up an eclectic, assorted variety of dancefloor candy from its forthcoming mix compilation, featuring some of the hottest artists around at the moment. whether it be the melodic and climatic >visions< from lula circus, or the party rockin >so fine< from hot creations and no.19 artist miguel puente, the a-side is sure to rock the party proper. the b-side aims toward the tougher dancefloors, as bass cultures john dimas drops the acid-tinged dancefloor bomb, >dont stress me<, and the release is capped off by the deep and chugging >down from earth< from cosmic cowboys.early support coming from maya jane coles, sasha, nic fanciulli, manik, dave seaman, and more.

36 hours in. the lights are flickering and the sweat is pouring out of you like the thoughts that you re trying to write down, to get down the words, to put down the message, to translate all the ideas that keep appearing in your head. ideas like uninvited guests that keep showing up and refusing to leave. somewhere though, there s a truth in there. you know it because you saw it. you know it because you felt it. because when you knew that even though there were ten million reasons why you should go to bed now, why you should go to bed straight away. that you should put these silly things down and stop trying to create and just get some sleep already. that you should stop trying to wrestle the ideas in your subconscious down to the ground so you can actually capture and express them to others. but you persist.

disco ball stars vol 1 is the first in a new series by disco deviance show casing some of their favourite new editors on the scene. kicking things off in style is new yorks deep & disco with the heavily groovy knock me out. while irish masters of cut n paste business, get down edits, take more of a disco funk path with the highly infectious make your body move. finally, all the way from monte carlo, rocco raimundo (the man behind the massive we love dreams from last year) threatens to tear up the dance floor with the ecstatic must be love. lovingly edited and re-mastered for 100% disco action. enjoy the music!

after the smooth sonic assault of invisible sunrise, seahawks dive deep and return with the immersive aquatic opus that is tender abyssin the tradition of oceanic soundscapes by the likes of dolphins into the future and jurgen muller, seahawks have created a deep listening experience that takes you way down beyond the mariana trench. part one reveals a world of storms, where wild encounters and unexplained phenomena precipitate aquatic hallucinations. part two illuminates an underwater world of wonder, a sensory cornucopia, where soft vistas unfurl as the mind relaxes in an ocean of bliss. take a deep breath and enter the tender abyss. as always with seahawks releases the album is beautifully packaged and extremely limited.

vinyl only! amazing piece of music! limited 1st release on new label get slow, signed by deep mariano incl. remixes from franco cinelli & londonground. new label designed by a small family including artists like deep mariano, franco cinelli, phonogenic, jay west, londonground, toygun, adi dumitra, yoshitaca aiming to release deep, sexy, slow jams suitable for any dancefloor. headlining most of the big names and events from south america to japan, deep mariano is no stranger for any clubberhead, beeing showcased on john digweeds transitions, and nominated as >breaktrough dj 2008< by dj magazine where hernan cataneo voted him. the original track >secret passage< is a deep number filled with groovy beats, moving basslines and haunting synths.after his massive remix on cassius >the sound of violence<, also with alot of releases on harry klein, love letters from oslo, viva, esperanza, franco cinelli delivers an excellent dancefloor summer bomb!!! the argentinian crew is completed by londonground with a more stripped down remix perfect for your warmup set!! you better be ready!!!

nice price deal !!! rest! music invites us to the table and presents the debut of their compilation series restaurant. a delicious 3 course set menu of deephouse, slomo funk and disco delights the guest. for a starter tobias dziapko and thomas tuscherer aka morgenklang place the hors doeuvre on the spot outside and have an airy picnic.green & blue swingswith warm chords through the green grass and seduces with irresistable funk for a dance under the clear blue sky. deephouse á la haute cuisine.the next course is being served by superloader. herb lf and cassique, the makers of the netlabel supafeed.net, choke the tempo down to slomo house and present with walk with me! a hypnotic dubby builder with good old prescription records wink inclusive. discoshit (herb lf & phil decker) let the closing buffet fly in by aliens. imported warp basslines from distant galaxies wed with earthly disco to strangers, which makes its direct way to the dancefloor with spoken words and sugarhill hook. something for you mind, your body and your soul! save the vinyl! by the way she will be responsible for the next rest!release with her debut ep under her alias elina monova

marx was totally right: the sustained reign of the exchange value and the spooky and tricky quality of the commodity - the fetishism of commodities - still keep the single individual under age and enslaved. therefore >the association of liberated people and music (vfmm)< is a necessary emancipated condition to strive for. especially the impact of art and music is able to hold on to the contradictions of reality and helps to transcend this wrong existing status qust release drive-by mix mup suspends the principle of causal relation. together we travel down a road that has lost its destination. the road becomes the actual reason for our motion. past connecting elements we cruise

with surprise cut on center ... after the success of the first release, tanstaafl returns for their second wax adventure, this time with the musical renegade dj october at the helm. october has entered a new phase of production for the tanstaafl series and has focused himself firmly on a reduced, stripped and effective formula for the floor. his productions are heavy, smoked out narcoleptic dub infused journeys, and his latest 12 offers more or less of the same opaque vibe but with his sights firmly set on the floor, with one foot in the past and the other in the future - drawing from his usual detroit, nyc and chicago influences. so we kick off 2012 with a future classic, singularity jump, which douses you in synthesized saxophone hooks, chopped vocal samples and a meaty juno hip-house inspired bass-line.planet of minds is more of a inner space affair very much inspired by acid and dub. successfully combining the two, october injects more of an airy feel into the mix and delivers a moody cosmic acid jam that will not fail your dancing feet or tripped-out mind. definitely one for the later hours.this is going to be an anthem, hands down, so get it before its gone for good.

we first heard about these amazing remixes last year and have finally tracked down the japanese only 12 on which they were released. we have managed to secure literally a couple of boxes - so first come first served!

billyonair back on the main labels. after his melodic release on mainrecords in 2011 billy now delivered some dub-influenced technotracks. we start with flying north. cold and spheric sounds are combined in this song but with the right amount of melodies. on a2 martin woerner remixed where am i. a nice pumping track which will hit the dance floors. on b1 we have klain main - strange chord-sounds meets nice grooves is the best way to discribe it. and last but not least the original of where am i which goes in the same direction like flying north - deep melodic dub-techno. for the digital lovers we have another (stripped down) version of flying north and a supercool remix of “where am i” by our buddies pascal feos & frank leicher.release comes in green-coloured vinyl.

300 copies ! ali nasser is well known for his releases on 8 bit, connaiseur, be chosen, mitu..... excellent groovy minimal tech / deep house

hailing from south africa, sfr lays down his first imprint for wheel and deal. vha venda: tribal style vocals open to stomping 808 half step roll out building into a broken 4×4 skank. nci nci: carrying the latest wheel and deal 4×4 electro style with gritty lfod bass and skipping drums. dance floor smasher.

having hinted at upcoming collaborations on blkrtz over the last months in several interviews, deadbeat finally makes good on his promises offering an epic piece of heaviest dub business featuring the unmistakable vocoder stylings of canadian danuel tate of cobblestone jazz fame. title track lazy jane locks in a murderously tight 135 bpm steppers rhythm sure to appeal to fans of both the burial mix series and malas most head down exploits for dmz alike, with tates heaven streaking vocal elevating it to the realm of instant classic from the very first drop. the flipside s 909 dub meanwhile sends the originals synth and vocal lines deep into the echo chamber atop a reinforced version of the bass line and unrelenting 909 drum pattern to create the most classist, purified slice of big room dub techno you are likely to here all year.

punto de partida is a disco latin track, barkin soul and paprika have worked on back in 2007 and has finally made it on vinyl as the title of barkin soul single. recorded in a queenslander weather board house in mullumbimby it captures the passion for latin music that both developed through the years. on the b side, barkin soul reveals a down tempo bossa nova influenced track featuring morgane in french.